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Véronique Chambon (Sandrine Kiberlain), a single schoolteacher and Jean (Vincent Lindon), discover an unexpected bond that causes them to question the direction of their lives. They move in different social circles but their relationship develops and their lives begin gradually to unravel.

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When a romance between a widow and a notorious libertine takes an unexpected turn, Mademoiselle de Joncquières becomes instrumental to one lover’s plans for revenge.

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A documentary focused on former Vogue Paris editor-in-chief and fashion stylist Carine Roitfeld.

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Claire is a young woman who leads a somewhat formatted life. Pierre is an improviser, but not an actor. Brief encounter, brief romance, doomed or not, who can say? When things like that happen, you act on the spur of the moment.

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In this sequel to the popular adventures of Mademoiselle C, the strange Mademoiselle Charlotte began a new life as a postwoman in Saint-Gérard where she encounters a particularly dishonest businessman.

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A sexually repressed school teacher releases her pent up passions in a series of shocking crimes.

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In occupied France during the Franco-Prussian War, a young French laundress shares a coach ride with several of her condescending social superiors. But when a Prussian officer holds the coach over, social standings are leveled and integrity and spirit are put to the test.

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Two sibling doctors take on a young diabetic patient and both fall for the girl’s lovely mother, who tends bar at a local watering hole, testing their fraternal bonds and professional relationship.

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An eccentric teacher (Marie-Chantal Perron) causes children at her elementary school to change the way they look at themselves.

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“I can’t remember the last time a guy got vulgar with me. When was the last time a guy did that thing… you know, with his lips, like damn girl, you’re hot. Of course I used to hate it. But Lady, c’mon, that’s a whole other ballgame! The little prick called me Lady.”

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Renée (Mae Murray) is the heiress of a Mexican ranch, granddaughter of a woman known for her recklessness and frivolity at night. This first "Mademoiselle Midnight" is banished in the opening scene by Napoleon III at Empress Eugenie's insistence to Mexico. Renee is kept locked at the hacienda at night by her father to prevent her following in her grandmother's wayward footsteps. She falls in love with a visiting American (Monte Blue) but is also pursued by the craven outlaw Manuel Corrales. Miss Murray gets to do some of her trademark dancing, but this one isn't a comedy, despite comic relief provided by Johnny Arthur.

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Christine, the daughter of a rich American, acquires from her father the jazz band of Ray Ventura who will be made responsible for accompanying her from morning till evening wherever she goes. From an endless number of amusing situations, the fiancée of the girl despairs. But soon the musicians rebel in in the face of the requirements of their patroness. More than a job, it is for them misery. Christine excuses them and she goes back to America with her band. Things go bad, degenerate, but the kindness of the musicians and the firmness of the fiancée of Christine really quiet down the moods of the young woman .